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  • Jones' most lasting achievements were in collaboration with Jackson. They made three landmark albums - "Off the Wall" in 1979, "Thriller" in 1982, and "Bad" in 1987 - that changed the landscape of American popular music. "Thriller" sold as many as 70 million copies, with six of the nine songs on the album becoming top 10 singles.
    Jones' most lasting achievements were in collaboration with Jackson. They made three landmark albums - "Off the Wall" in 1979, "Thriller" in 1982, and "Bad" in 1987 - that changed the landscape of American popular music. "Thriller" sold as many as 70 million copies, with six of the nine songs on the album becoming top 10 singles.
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  • Jones' circle of friends included some of the best known figures of the 20th century. He dined with Pablo Picasso, met Pope John Paul II, helped Nelson Mandela celebrate his 90th birthday and once retreated to Marlon Brando's South Pacific island to recover from a breakdown.
    Jones' circle of friends included some of the best known figures of the 20th century. He dined with Pablo Picasso, met Pope John Paul II, helped Nelson Mandela celebrate his 90th birthday and once retreated to Marlon Brando's South Pacific island to recover from a breakdown.
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  • studio workaholic and a virtuoso at handling delicate egos, he shaped recordings by jazz greats such as Miles Davis, produced Sinatra, and put together the superstar ensemble that recorded the 1985 fund-raiser "We Are the World," the biggest hit song of its time.
    studio workaholic and a virtuoso at handling delicate egos, he shaped recordings by jazz greats such as Miles Davis, produced Sinatra, and put together the superstar ensemble that recorded the 1985 fund-raiser "We Are the World," the biggest hit song of its time.
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  • Everything he did was stamped with his universal and undeniable hipness. U2 frontman Bono called Jones "the coolest person I've ever met".
    Everything he did was stamped with his universal and undeniable hipness. U2 frontman Bono called Jones "the coolest person I've ever met".
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  • Jones also was a prolific writer of movie scores and co-produced the film "The Color Purple," as well as the 1990s television show "The Fresh Prince of Bel-Air," which launched the career of Will Smith
    Jones also was a prolific writer of movie scores and co-produced the film "The Color Purple," as well as the 1990s television show "The Fresh Prince of Bel-Air," which launched the career of Will Smith
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  • the late 1950s he went on U.S. government-sponsored tours around the world with a band organized by bebop jazz pioneer Dizzy Gillespie. Jones then led his own band through Europe. He was deeply in debt in the early 1960s when he took a job at Mercury Records in New York, becoming one of the first Black executives at a white-owned record company
    the late 1950s he went on U.S. government-sponsored tours around the world with a band organized by bebop jazz pioneer Dizzy Gillespie. Jones then led his own band through Europe. He was deeply in debt in the early 1960s when he took a job at Mercury Records in New York, becoming one of the first Black executives at a white-owned record company
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  • Basie and trumpeter Clark Terry also would be mentors to the young Jones and he won a scholarship to what would become the Berklee School of Music in Boston. He gave it up, however, to go on the road with Lionel Hampton's band as a teenage trumpet player in the early 1950s.
    Basie and trumpeter Clark Terry also would be mentors to the young Jones and he won a scholarship to what would become the Berklee School of Music in Boston. He gave it up, however, to go on the road with Lionel Hampton's band as a teenage trumpet player in the early 1950s.
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  • Music was the one thing I could control," Jones wrote in his autobiography. "It was the one world that offered me freedom ... I didn't have to search for answers. The answers lay no further than the bell of my trumpet and my scrawled, penciled scores. Music made me full, strong, popular, self-reliant and cool."
    Music was the one thing I could control," Jones wrote in his autobiography. "It was the one world that offered me freedom ... I didn't have to search for answers. The answers lay no further than the bell of my trumpet and my scrawled, penciled scores. Music made me full, strong, popular, self-reliant and cool."
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  • He experimented with different instruments in the school band before settling on the trumpet and by 13 was playing jazz, popular music and rhythm-and-blues in nightclubs. In Seattle at age 14, Jones met 16-year-old Ray Charles, not yet famous, who taught him to arrange and compose music.
    He experimented with different instruments in the school band before settling on the trumpet and by 13 was playing jazz, popular music and rhythm-and-blues in nightclubs. In Seattle at age 14, Jones met 16-year-old Ray Charles, not yet famous, who taught him to arrange and compose music.
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